Rhythm Fantasy |
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Rhythm Fantasy presents a unique reviewing conundrum to me. If they were of European or American origin then I would probably be looking in from the sidelines, somewhat confused. The fact that they’re actually Japanese serves to add a whole new level of fascination, though, actually making me want to delve into it and explore it further to try and gain some understanding of what drives this band.
See, Rhythm Fantasy are the female duo of Marilyn Lo and Reike Nishida, and when they’re at their best (i.e. the second half of World 2003), they perform pop music that would fit perfectly into any ’80s fantasy film. And this isn’t intended as an insult. I love the films and share an illogical appreciation for the music that goes with them. The fantasy vibe is definitely present in the music, and representing that, ‘Break of Dawn’ is the perfect highlight of the album.
The first half of the album gleams in a major key, though, mixing glossy pop melodies with drum machines and keyboards that sound somewhat dated. Whilst lacking a modern production technique serves to add character and helps Rhythm Fantasy stand out as somewhat unique, the full-on pop bounciness of tracks like 'Little Baby' just doesn’t seem to capture as much interest on repeated plays as a song like 'Dreaming Forever'.
There’s no doubt that Marilyn and Reike are talented vocalists and they certainly
know how to weave their voices together for the greatest impact, but stylistically,
it’s hard to imagine how they fit into a western music industry. Who knows?
But if you’re seeking something shiny and happy with the influence of ’60s
pop melodies and ’80s production styles, then you may love this. Or equally,
if your favourite film is Labyrinth or Willow and you want some music which
reflects that, then the second half of World 2003 is just what you
need.
Steven McCarron
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